We laugh at those now but Hollywood FX had to start somewhere. Some people believe that there is an over dependence on special effects, to the detriment of story and characterization.
Matte painted backgrounds and miniature designs served films well for a long time, making it possible for futuristic movies such as Fritz Lang's Metropolis. A combination of miniatures and stop movement animation made King Kong from 1933, a landmark in Hollywood FX. Ray Harryhausen was the effects wizard who made the wonderful appearance real, in movies that included Jason and the Argonauts and The Golden Voyage of Sinbad. War movies that needed sea fight video utilized miniature designs in big water tanks. This, and a technique referred to as traveling matte, developed the splitting of the Red Sea scene in The Ten Commandments. No miracle was beyond the power of unique effects masters.
Further development came when effects supervisor Douglas Trumball developed new methods for the last trip in Kubrick's 2001: A Space Odyssey. Lucas then formed Industrial Light and Magic, the company that has pioneered Hollywood FX ever since.
Today, we are used to the idea of movies being shot with a blue screen and the background being included later. Computer System Graphics Imaging (CGI) dominates the scene now. Any things or person can be controlled by the computer and blended in with the live action. This approach was put to fantastic use in Spielberg's Jurassic Park and James Cameron's Terminator 2: Judgment Day. The effects team at Pixar has presented it to their complete length animations, such as Toy Story. The days of laboriously hand painting each frame of animation are almost gone. The Weta workshop in New Zealand has developed a reputation as one of the best special effects business, particularly given that the success of the Lord of the Rings trilogy.
effects will continue to advance now that the genie of innovation is out of the bottle. Hollywood FX has actually made the return of the epic film possible.
We laugh at those now but Hollywood FX had to start someplace. A combination of minis and stop motion animation made King Kong from 1933, a landmark in Hollywood FX. Ray Harryhausen was the effects wizard who made the wonderful look real, in motion pictures that included Jason and the Argonauts and The Golden Voyage of Sinbad. Lucas then formed Industrial Light and Magic, the business that has actually pioneered Hollywood FX ever given that.
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